Brainstorm notes on the Upper Planes

Gary Gygax devoted a fair amount of attention and detail to the Lower Planes of AD&D, in both the rulebooks and especially his Gord novels, but left the Upper Planes mostly untouched except for names and a few supernatural creatures that dwell there (ki-rin, titans, baku, hollyphants, devas, etc.). His reason for doing so was presumably twofold - firstly that such realms don't offer the same sort of adventuring potential as the lower planes (putting Good deities to the sword and looting their stuff doesn't have quite the same appeal of doing the same to hordes of demons and devils), and secondly that as someone who was strongly religious in his personal life Gary was always very careful about "treading too close" to subjects and content that impinged upon real-world Judeo-Christian religion.

Nevertheless, even if there's not so much adventuring potential on these planes there is value in detailing them from a worldbuilding perspective, to give players a sense of what those realms are like (and what their characters can expect after death), as well as to provide a foundation to build upon in the event travel to one or more of these planes (intentionally or otherwise) does come up in play.

In that spirit, I've collected both notes from the AD&D canon of what is known about each of the Upper Planes (including which creatures and deities dwell in each of them) and have added some color and flavor of my own based on what felt fitting and appropriate for each plane. These are rough notes from a couple days of brainstorming activity and not intended to be complete or final, only a starting point and outpouring of ideas and inspirational nuggets to guide and inform potential future development.

Note that any resemblance between the below and other post-Gygax depictions of these planes (including TSR's Manual of the Planes and Planescape) is wholly coincidental and comes only from being derived from the same base (Gygax-era) source material.

UPPER PLANES

Weather is calm towards the lawful planes, turbulent towards the chaotic planes; climate is universally mild (warm or cool depending on specific plane/level) - it never rains on the lawful plains (but doesn’t create drought conditions), it rains (or snows) daily on the chaotic planes (but doesn’t create floods); it is never full night on the upper planes - daylight fades (in scintillating reds and oranges) to perpetual post-twilight with deep indigo sky and brilliant starlight; on the neutral planes there are always puffy white clouds in the western sky and menacing storm clouds in the eastern sky.

All senses (vision, hearing, smell/taste, and even feel) are sharpened and amplified on the upper planes, but at the same time visitors always have a sense of detachment and unreality similar to a waking dream or hallucination - it all feels “too real” to be real.

Food and drink are plentiful on all upper planes (type depending on the plane) and require minimal effort in cultivation and preparation; eating a meal of upper planes food will instantly refresh the eater, functioning as a combined elixir of health, potion of vitality, and potion of extra healing (effective once per day per individual), however, for every such meal consumed the eater has a cumulative 10% chance per meal of completely and permanently forgetting their mortal life. Any food or drink taken away from its native plane loses all extraordinary powers and becomes normal food in all respects.

Architectural style, clothing, cuisine, types of flora and fauna, and all other visual trappings are variable based on the culture and expectations of the visitor - everything will always appear comfortable and familiar but may well appear differently to a visitor (or deceased soul) from a different culture or alternate prime plane. The deities who dwell in and rule over each plane are able to modify such appearances at will, as often as desired.

The primary and most common inhabitants of all the upper planes are mortal souls of humans and demi-humans (save elves, whose spirits dwell temporarily in Alfheim before being sent back to the mortal realm). The lawful planes are densely populated towns, the neutral planes less so (small villages of at most a couple hundred souls), and the chaotic planes are sparsely populated (single-family homesteads). In their natural state these souls have no memory of their mortal existence (or more than a few days in the past) and are wholly content to repeat endlessly their narrow pattern of post-mortal existence (though certain spells, such as Speak With Dead, will temporarily bring back their mortal memories). They do not fight (except for those who feed themselves by hunting) or use any magic. They can all communicate with each other and any other person or animal via telepathy. They cannot be permanently killed by physical means (they regenerate 1 hp/turn from all forms of damage and will always be fully restored within 24 hours) though some spells - such as Destruction - may do so. They will never willingly leave their plane/level unless extraordinary magic is employed. If attacked all animals in the area (which are actually immortal spirits in animal form) will come to their defense. If that is not sufficient, the more powerful supernatural beings native to that plane will intercede and the offenders will be detained, ejected, or slain depending on the magnitude of their offense. The majority of post-mortal souls dwell on the first level of each plane - the mass of regular, mundane individuals of the corresponding alignment. The upper levels of the planes are inhabited by the souls of the most pious and exemplary, the heroes and saints of the various religions.

Inhabitants of the Upper Planes generally: Agathion, Deva, Hollyphant, Planetar, Solar

[See also Heroic Legendarium p. 89 for guidelines regarding how magic items and spells are affected on the Outer Planes]

Arcadia

Endless Town (cobbled and lighted streets and open squares with inviting cafes and taverns and shops, comfortable bourgeois homes (warm hearths, soft beds, plush sitting chairs), no garbage or foul smells, no rats or pestilence, no crime)

1. Rustic suburbs (gardeners (vegetables, herbs, small livestock) - St. Cuthbert, The Protector)
2. Midtown (crafters and artisans - Pholtus, dwarf gods)
3. High street (bankers, jewelers, luxury goods - Marduk)

Inhabitants: n/a

Deities: St. Cuthbert (Greyhawk), Pholtus (Greyhawk), Marduk (Babylonian), Moradin (Dwarf), Berronar (Dwarf), Clanggedin Silverbeard (Dwarf), The Protector (my pantheon)


Heaven

Endless Leisure (1st level is an endless beach with warm water and gentle tides, higher levels are ivory buildings and amphitheaters on puffy white clouds)

1. Sport (Girru)
2. Games (chess, etc) (Heironeous, The Father)
3. Intellectual pursuit (philosophy, debate) (Chung Kuel, ki-rin)
4. Sculpture & painting (Ebisu)
5. Dance (Kuan Yin, platinum dragon)
6. Music (Surya)
7. Poetry (Vishnu)

Inhabitants: Platinum Dragon, Ki-rin, (Lammasu), (Shedu)

Deities: Heironeous (Greyhawk), Girru (Babylonian), Chung Kuel (Chinese), Kuan Yin (Chinese), Surya (Indian), Vishnu (Indian), Ebisu (Japanese), The Father (my pantheon)


Paradise

Endless Savannah (wild cattle, horses, and dogs, antelope, impalas, gazelles, zebras, giraffes, elephants, buffalo, rhinos, etc.)

1. Lowlands (Epimetheus, Halfling gods, The Mother)
2. Uplands (Ukko, Gnome gods, air maidens)

Inhabitants: Air Maiden

Deities: Ukko (Finnish), Epimetheus (Greek), Garl Glittergold (Gnome), Baervan Wildwanderer (Gnome), Segojan Earthcrawler (Gnome), Flandal Steelskin (Gnome), Yondalla (Halfling), Arvoreen (Halfling), Cyrollalee (Halfling), The Mother (my pantheon)


Elysium

Endless River (self-maintaining croplands on either bank - wheat, barley, millet, sorghum, lentils, peas, beans, dates, figs, watermelons, pomegranates, coriander, cumin, coffee, sugar cane, rice)

1. Delta (Egyptian gods, The Grower, phoenix) 
2. Lower river (Ishtar, baku)
3. Upper river (Sumerian gods)
4. Headwaters (other gods, moon dog)

Inhabitants: Baku, Moon Dog, Phoenix

Deities: Ishtar (Babylonian), Isis (Egyptian), Seker (Egyptian), Ushas (Indian), Tsukiyomi (Japanese), Bragi (Norse), Enlil (Sumerian), Nanna-Sin (Sumerian), Nin-Hursag (Sumerian), The Grower (my pantheon)


Happy Hunting Grounds

Endless Forest (elk, deer, moose, squirrels, birds; fruit, nuts, berries, mushrooms)

1. Boreal (American gods, Brother Sun)
2. Temperate (Skerrit)
3. Jungle (Bast)

Inhabitants: Thunderbird

Deities: Raven (American), Hotoru (American), Snake Man (American), Bast (Egyptian), Skerrit (Centaur), Brother Sun (my pantheon)


Olympus

Endless Mountain (storms)

1. Forested foothills (Alfheim - elf gods)
2. Slopes & vales (pastoral (sheep, goats, alpaca, rabbits) - Nephthys, foo creatures)
3. Cloud-capped heights (godsland - Greek gods, titans, eudaimones)

Inhabitants: Titan, Foo Creature, Eudaimon, (Opinicus)

Deities: Nephthys (Egyptian), Zeus (Greek), Aphrodite (Greek), Apollo (Greek), Ares (Greek), Artemis (Greek), Athena (Greek), Demeter (Greek), Dionysus (Greek), Hera (Greek), Hermes (Greek), Nike (Greek), Poseidon (Greek), Prometheus (Greek), Tyche (Greek), Corellon Larethian (Elf), Deep Sashelas (Elf), Rillifane Rallathil (Elf), Aerdrie Faenya (Elf), Erevan Ilsere (Elf), Solonor Thelandria (Elf), Hanali Celanil (Elf), Labelas Enoreth (Elf)


Gladsheim

Endless Adventure

1. Midgard (realm of endless cliffs, fjords, volcanoes; storm-tossed sea - Tritherion, Indian, Japanese gods)
2. Asgard (realm above (mountain-tops) - Norse gods, The Son, valkyries)
3. Niflheim (realm below (caves) - includes Muspelheim, Nidavelir, Svartalfheim)

Inhabitants: Valkyrie

Deities: Tritherion (Greyhawk), Karttikeya (Indian), Lakshmi (Indian), Hachiman (Japanese), Oh Kuni Nushi (Japanese), Odin (Norse), Aegir (Norse), Balder (Norse), Forseti (Norse), Frey (Norse), Freya (Norse), Frigga (Norse), Heimdall (Norse), Idun (Norse), Loki (Norse), Magni (Norse), Modi (Norse), Sif (Norse), Thor (Norse), Tyr (Norse), Uller (Norse), Vidar (Norse), The Son (my pantheon)

Melonath Falls Rumors

 Last summer I wrote an AD&D adventure (actually an extract from a larger work-in-progress) called "Melonath Falls" and submitted it to Prince of Nothing's "No Artpunk" Contest where it ultimately placed as the runner-up and is now available for purchase (only as a pdf, alas) with the proceeds going to charity (for the time being - eventually it will become a free download instead, but don't wait for that). I wrote the adventure quickly and didn't get a chance to playtest it prior to submission - what I submitted is effectively a first draft - but since Prince liked it I let him publish it more-or-less as-is 

Not everybody liked it as well as he did, and one of the complaints was that I didn't provide enough aids to make it easy to run. In an attempt to rectify that (and as an aid to myself because I might finally be running it myself sometime soon) I came up with and am presenting here a table of rumors to help get a party of adventurers oriented and provide a bit more info about the place and inhabitants before they get dropped into the deep end.  

The "core" hook for the adventure is that the PCs have been adventuring (or otherwise spending time) in the town of Warnell and have learned from the locals about Melonath Falls, a spectacular 400' tall waterfall in the forest about a day's travel north of town and famous local landmark. In addition to being a spectacular sight in itself there are also known to be caves behind the falls and it has come to the party's attention that a band of "blue goblin" bandits who have been causing trouble in the area (attacking merchants and travelers along the river) have established a base there. So the party has either decided on their own or been sent by the government of Warnell (as suits the circumstances of the campaign) to scout and explore the area, see what the blue goblins are up to and what their strength is, and to hopefully put an end to their depredations and even recover some of the stolen trade goods if possible.

Beyond that, each PC gets one roll on the following table. It's likely multiple PCs will hear the same rumor (though the DM is free to make minor alterations to obscure this, if desired) and they can share their info with the other players or keep it to themselves. Spending an evening bar-hopping (and 10-60 g.p. on drinks and tips) allows another roll, but only if the players specifically ask about the possibility (don't volunteer it).

Roll 2d6 (-1 for Lower SEC characters; +1 for Upper SEC characters)

2 (or -) Within the highest cave behind the falls is a shrine to a forgotten river god (T)

3 The tribe of blue goblins dwelling in the caves behind the falls are particularly favored by their patron rat-god (T)

4 A giant catfish dwells in the pool beneath the falls (T)

5 The blue goblins in the caves behind the falls are led by a human magic-user (F)

6 The caves behind the falls are all connected to each other via secret passages (B)

7 There are multiple caves behind the falls, including at least one underwater cave (T)

8 Blue goblins are behind the local lotus blossom smuggling ring (B)

9 The blue goblin bandits are in league with a local wine merchant who is siccing them on his competitors in order to corner the local market (F)

10 The blue goblins are magic-resistant due to eating fungi that grow in the caves (F)

11 The blue goblins in the caves behind the falls are allied with a gang of rat-people (T)

12 (or +) Boss Bowlton’s [i.e. the lord-mayor of Warnell] missing daughter was kidnapped by blue goblins (B)

T = rumor is true

F = rumor is false

B = rumor is partially true but also contains a substantial false component

Alternate Appendix P

Appendix P of the AD&D Dungeon Masters Guide is a set of instructions for “Creating a Party on the Spur of the Moment” - generating pre-experienced characters quickly for use in convention or other one-off games. The bulk of the system is devoted to a series of tables for determining which magic items such characters may possess. However, using those tables requires a lot of die-rolling and there’s a chance that even high level characters will end up with few (or no) magic items. With that in mind, in order both to simplify the process and to make it less random I came up with this alternative:

Level 1: no magic items
Level 2-3: pick one item from group 1
Level 4-5: pick two items from group 1
Level 6-8: pick three items (no more than one from group 2, none from group 3)
Level 9-11: pick five items from group 1 or 2
Level 12+: pick six items (no more than two from group 3)

Group 1:
Leather Armor +1
Chain Mail +1
Shield +1
Sword +1
Battle Axe +1
12 Crossbow Bolts +2
Dagger +1, +2 vs Smaller than Man-sized
Mace +1
Spear +1
Potion of Climbing
Potion of Diminution
Potion of Fire Resistance
Potion of Flying
Potion of Gaseous Form
Potion of Growth
Potion of Healing
Potion of Invisibility
Potion of Polymorph Self
Potion of Water Breathing
Scroll of 1 Spell (MU level 1-4)
Scroll of 1 Spell (Cleric, Druid or Illusionist level 1-3)
Ring of Protection +1
Ring of Warmth
Boots of Elvenkind
Cloak of Elvenkind

Group 2:
Chain Mail +2
Plate Mail +1
Sword +1, Flame Tongue
Sword +2
Bow +1
Mace +2
Potion of Extra-healing
Scroll of 3 Spells (MU level 1-6)
Scroll of 3 Spells (Cleric, Druid or Illusionist level 1-4)
Scroll of Protection from Magic
Ring of Feather Falling
Ring of Protection +2
Ring of Water Walking
Wand of Fear
Wand of Paralyzation
Wand of Wonder
Bag of Holding (500#)
Boots of Levitation
Bracers of AC 6
Brooch of Shielding
Folding Boat (small rowboat)
2 Javelins of Lightning
Necklace of Adaptation
Robe of Useful Items*
Rope of Climbing

Group 3:
Chain Mail +3
Shield +2
Sword +3
Crossbow of Speed
Dagger +2, +3 vs Larger than Man-sized
Spear +2
Ring of Protection +3
Ring of Spell Turning
Wand of Fire
Wand of Frost 
Staff of Striking
Arrow of Direction
Boots of Striding & Springing
Bracers of AC 4
Crystal Ball

*select 10 of the following:

BONFIRE, small
CASK, 1-3= water, 4-5= wine, 6 = brandy (3 gallon capacity) CALTROPS, six
CROWBAR, 4’ tempered iron
DAGGER, silver
DOG, WAR
DOOR, standard size, oak with iron bindings and bar
GEM, 100 gold piece value
LADDER, 12’ long
LANTERN, bullseye
MALLET & STAKES
MEAT, haunch of roast mutton, venison, etc.
MONEY, stack of 50 silver coins
MULE, pack
OAK TREE, 30’ high, large
OWL, GIANT
PICK, standard digging
POLE, 10’
ROOSTER
ROPE, 50’coil
SHOVEL
TORCH, flaming
WASP NEST, normal, about 200 wasps

Gary Gygax's Necropolis - AD&D Conversion Notes

As I've mentioned many times before, I was lucky enough to play the Tomb of Rahotep section of Gary Gygax's magnum opus adventure Necropolis with the man himself back in 1988. At the time, the adventure was planned for publication under the generic-stats "Fantasy Master" line, but in those games Gary used AD&D rules. The PCs were all 18th level and the adventure was billed as the toughest and deadliest thing Gary Gygax had ever written - the next step in challenge and difficulty beyond the infamous Tomb of Horrors. It lived up to that billing and then some, combining the deviously punitive and unfair tricks and traps from that module with a ton of really difficult combat that puts the Hall of the Fire Giant King and Isle of the Ape to shame. This was, to me, the ultimate expression of AD&D - by far the most difficult and challenging adventure I ever played in, but also by far the most fun and exhilarating. 

Alas, Gary's company New Infinities closed up shop before Necropolis was published, and when it finally did emerge five years later it had been converted to Gygax's Dangerous Journeys: Mythus system which (TSR's lawsuit claims notwithstanding) is a totally different and incompatible game system that maintained and expanded the flavor and feel of Gygax's AD&D but with a totally different set of rules. A decade later Necromancer Games released a version of the adventure converted to the then current d20/D&D 3.0 rules, but that wasn't much help to AD&D fans.

In much there same way as I mined ideas from Dangerous Journeys and converted them over to AD&D in The Heroic Legendarium, I also wanted to be able to run this adventure under AD&D to recreate something like my experience playing in it. So, relying on my memories of those games, as well as my knowledge of both the AD&D and Mythus rules, I created a conversion document for the final section of the adventure, the Tomb of Rahotep, and ran it for an all-star group of players at SoCal Minicon in 2010, where it lived upon to its reputation as the ultimate meat-grinder - to quote one of the players from that game, "Gary must have been in a very, very dark place when he wrote this module."

Around that same time, Necromancer Games' assets passed on to Frog God Games and I learned from my friend Matt Finch (one of the principals in that operation) that their license for Necropolis was one of the assets they had rights to and that eventually they were likely to produce a new edition converted to the Swords & Wizardry retro-clone system. I mentioned the conversion work I'd already done (and the basis for it from having played in it with Gary) and he assured me that when the time came they would definitely reach out to me to leverage that knowledge and work. 

That was the last I heard about this until yesterday when I learned that Frog God has launched a Necropolis Kickstarter for 5E and S&W. I wasn't consulted, which is okay (although it would have been nice if I had been), but what really bothered me about the announcement is the repeated notes that the adventure is "based on the original work by Gary Gygax" but has been "updated and rewritten" (further quotes from the Kickstarter comments: "a very deep conversion, with lots of changes" and "the essential plot is the same, as are the characters, but it's a very heavy re-write"). Compounding those red flags is the fact that the adventure is being billed for character levels 7-9. There is simply no way that the spirit and feel of the original adventure can be accurately portrayed in the context of a mid-level adventure - the entire premise that this was the ultimately deadly and most challenging adventure to reduce even the most expert veteran players to tears, the capstone achievement in Gary Gygax's adventure-writing career, is undermined by making it suitable for mid-level characters. So although I haven't seen what Frog God is producing, and am sure that in terms of art and cartography and printing quality with deluxe leather-bound hardcovers and such, it will be very nice, the entire premise is fundamentally fatally flawed and it's impossible that this shadow-version won't be an insulting travesty compared to the original.

So, as a counter to that, and because there's no reason to hold onto them now that Frog God isn't interested in them, I've decided to share my conversion notes, based on my memories from those 1988 sessions and as used in that 2010 game, for anyone who's curious. These notes only cover the final section of the adventure (though following their example you could probably convert the rest of the content without too much difficulty) and you need a copy of the original to actually use these notes (they're written based on the Dangerous Journeys version (GDW, 1992) but can presumably also be used with the d20 version (Necromancer Games, 2002) since from what I can tell that was a very close conversion), but using that text and these notes I am confident that the end result is something that will be MUCH closer to Gary's original conception and how it was originally run that whatever ill-conceived, watered-down version Frog God is releasing. 

While obviously not anywhere near as well known as the adventures he wrote for TSR, I remain fully convinced that Necropolis really was Gary's magnum opus as an adventure designer, the ultimate expression of his style and approach to play. And as such it deserves to be preserved in something approximating its original form - as a relentlessly and devastating cruel meat grinder that even the highest-level characters and most expert players will find near-impossible to survive and defeat.

The notes are available for viewing and download here. I hope some of you will get to run it someday for some overconfident players with high level characters and that it will humble and cut them down to size just as Gary intended. Enjoy!

Heroic Legendarium print edition now available at DriveThruRPG

Quick note that although my book got pulled off of Lulu it is now available at DriveThruRPG in a print edition as well as the previously-available pdf. If you're one of the people who already purchased the pdf version you should have received an email including a coupon code allowing purchase of the print version at a discount (the difference between the cost of the pdf version and the cost of the print version, to cover printing costs and mirror the bundle option that wasn't available previously).

I hope everybody who's already purchased the book is enjoying it and finding things in it to use in your games, and that everybody who hasn't purchased it yet will now do so since there's no further reason to wait!

Heroic Legendarium available for purchase

Finally, just over 20 months after it was initially announced, The Heroic Legendarium is finally available for purchase from DriveThruRPG (pdf and eventually print as well, once I've approved the proof copy). 

This was an extended labor mostly of love, but also of frustration as I realized I utterly lacked the skills and resources to turn my Google Doc text document into a publishable book. Struggles with that ate up more than a year, before I ultimately decided to just release the book as-is and let its contents speak for themselves. Which means you'll get no art, no fancy graphics, and no advanced pdf features like bookmarks and hyperlinks. But what you will get is 154 pages of solid, gameable 1E content, almost all of it new and original (a few spells, monsters, and magic items are adapted from 1E-era sources but have been revised and modified as presented here, and in any event make up no more than about 5% of the total content). 

If you've seen the earlier (non-OGL-compliant) version of this book, copies of which I know are still being privately traded even though I stopped distributing it several years ago, you're already familiar with about two-thirds of the contents, but even so enough new content has been added to hopefully make it worth taking another look, including:

• Three new PC races (note: the preview at DriveThruRPG includes these pages)
• The savant class, including 68 new spells
• Complete system for territory development and management by PCs
• 32 new magic items
• 49 new monsters
• New essays on tips and tricks for players and GMs, dungeon design, and extra-planar adventuring
• Assorted other minor additions and revisions

The page count of the new version is increased by 42 pages over the old one, but that number undersells the amount of new material because much of the earlier edition's appendix material (i.e. direct copy/paste reprints of magazine articles and monsters and magic items from modules) was removed, or at least reworked and adapted. 

The earlier version had a narrower scope of compiling uncollected Gygaxiana and recreating "lost" system additions that he had mentioned (or were reverse-engineered from his later works). The savant class still fits within that mold, but the scope of the book generally has expanded to include more of my own voice and my own preferences and is less beholden to things that Gygax may or may not have planned or intended to do. While that might make it less valuable or interesting to some people whose interest is more historical or who want to keep their games as "pure" as possible, I am also confident that my additions and modifications maintain a consistency of style and flavor with that other material and are complementary to and will fit seamlessly alongside it. Having spent more than three decades immersed in this material and style of play I have developed a pretty solid feel for it.

Therefore, I would urge everybody who enjoys (or is curious about) the original creative and design paradigm of the First Advanced Edition to check this thing out, even if you already have the earlier version, because I am sure there is at least some material within it that you'll be able to use in your games to expand and freshen them up and help keep your players engaged, entertained, and challenged. 

[And it's all been designated as "OSRIC Reference Content" so other authors and publishers are not only allowed but strongly encouraged to use this material in their OSRIC-branded adventures and supplements as long as you refer back to this book. Nothing would make me happier than to see this material picked up and adopted by others and for my contributions here to become part of the common lexicon of 1E gamers, existing ones and new ones alike.] 

Edit/update: Lulu has unilaterally pulled this title and terminated my account (and will presumably keep the ~$400 in royalties I had earned from sales to date) because they determined that the old "AD&D Companion" (which I had put up on Lulu for private at-cost sale a few years ago) "may" be in violation of their Member Agreement by including third party IP - without any opportunity to appeal or to take down the possibly-offending title while leaving other titles in place. Since that book was uploaded ~5 years ago, the timing of this account termination feels fishy, like possibly some spiteful anti-fan found a link to that private page and reported me. Sorry to anyone who placed an order through Lulu because I have no idea whether you'll actually get the book - presumably if it's already shipped you will, but if it hasn't I'd recommend contacting Lulu customer support.

AD&D Alignment Notes

Alignment in D&D is one of those perennial (and perennially frustrating) topics of discussion, because everyone has their own ideas about what the words mean, and the definitions provided in the books are overly vague and generalized to the point of being essentially meaningless, so there's a lot to argue about and for people to accuse each other of being both Wrong and possibly A Bad Person. 

What it ultimately comes down to is that each individual DM should decide how they want to define and handle alignment in their campaign world and let the players in that campaign know what they've decided early on rather than assuming everyone is in agreement and then getting into arguments later on when the players do something based on a different interpretation than the DM. While that's surely wishful thinking (because players who disagree with how the DM defines things aren't going to disagree any less if they see it in writing in advance) I've nonetheless collected some notes both on how I view the alignments in my games along with some representative examples of characters from fiction and media who I feel fit into each of the alignment buckets, and figured since I've gone to the trouble to write this stuff down I might as well share it. The examples serve a second purpose as well, by drawing characters from a variety of sources that I'm interested in and feel are relevant to the style and flavor of the games I like to run (as opposed to other lists you can find online, which tend to be limited solely to examples from comics, Star Wars, and Harry Potter). 

AD&D ALIGNMENT NOTES

Lawful Respects (and expects) authority and loyalty derived from formal structures (title, office) and hierarchical organizations

Chaotic Respects (and expects) authority and loyalty based on individual personal qualities (strength, charisma, renown, family ties) and fluid or informal power-structures

Good Seeks to help others, especially the weak

Evil         Seeks to exploit others, especially the weak

Neutral Pragmatic, opportunistic, or indifferent 

Representative examples from fiction and media:

Lawful Good John Carter (Edgar Rice Burroughs), Agent Dale Cooper (Twin Peaks), Roland Deschain (Dark Tower), Hermione Granger (Harry Potter), Spock (Star Trek)

Neutral Good Cazaril (Curse of Chalion), Jake Chambers (Dark Tower), James T. Kirk (Star Trek), Harry Potter, Shimrod (Lyonesse)

Chaotic Good Lyra Belacqua (His Dark Materials), Eddie Dean (Dark Tower), Katniss Everdeen (Hunger Games), Kickaha/Paul Janus Finnegan (World of Tiers), Peter Pan

Lawful Neutral Judge Dredd, Inspector Javert (Les Misérables), Agent Albert Rosenfield (Twin Peaks), Severian (Book of the New Sun)

True Neutral Ged/Sparrowhawk (Earthsea), The Gray Mouser (Fritz Leiber), The Man With No Name (Sergio Leone movies), Nifft the Lean (Michael Shea), Rhialto the Marvelous (Jack Vance)

Chaotic Neutral Harry Mudd (Star Trek), Loki (Marvel movies), Skafloc (The Broken Sword), Captain Jack Sparrow (Pirates of the Caribbean)

Lawful Evil Casmir (Lyonesse), Lady/Dorotea Senjak (The Black Company), President Snow (The Hunger Games)

Neutral Evil Kane (Karl Edward Wagner), Khan Noonien Singh (Star Trek), Steerpike (Gormenghast) 

Chaotic Evil BOB (Twin Peaks), Cugel the Clever (Jack Vance), Voldemort (Harry Potter)